Steam+ in MFL

Claire Baty, Head of French and Mandarin, considers how Modern Foreign Languages connect with other subjects.

“No subject can exist in isolation: discourse and community are central to the progression of knowledge and understanding”[1]. This is the absolute backbone for the study of Modern Foreign Languages. It makes no sense to learn a language in isolation because a fundamental purpose of learning a language is to communicate; to facilitate discourse between different communities, countries and nationalities in order to further our understanding of each other and what connects us.

It is easy to make superficial links between subjects; learning numbers in Year 7 by doing basic maths or practicing the imperative by giving instructions for a PE warm up in a foreign language. These lessons all provide valuable opportunities to reinforce vocabulary, but they feel like an add on, a tick box exercise. The key to true interdisciplinary learning is to stop seeing our own subjects in isolation and start seeing the themes, the skills, the whole world problems and solutions that we examine with our students.

Above: Business vector created by freepik

Take for example students learning Mandarin Chinese. Being able to recognise and write in character is linked to a deeper insight into the culture and civilisation of countries where Chinese is spoken, which in turns requires an understanding of the history of that country. This inevitably leads to an appreciation of the current economic and political climate in that country. Three key areas of study for Mandarin Pre-U overlap significantly with History, Geography and Economics. This is what is so wonderful about Steam+ as an approach to curriculum building: expertise across the school can be used to fuel a student’s curiosity and develop a passion for a subject that is not limited to one perspective.

At A Level the interdisciplinary links between MFL and other subjects are more obvious; Y13 French students study the occupation of France and German students the reunification of Germany. However, Steam+ is about creating opportunities within the curriculum for all year groups.

Consider for example our Year 10 German students who were able to explore 100 years of the Bauhaus movement by attending exhibitions and screenings in German. The language they had been learning in class to discuss their fictional interior designs gained more significance when they saw it in a real-life context.

Students in Year 7 French consider the idea of secularism and religious freedom and how fundamental that is to the French constitution and everyday life in France when they look at what it is like to be a pupil at school in France. Delving deeper into this value system, alongside others, is an opportunity to encourage tolerance and understanding and to allow students to make connections where perhaps they had not expected them.

The connections between learning a foreign language and travel are clear, so our Year 9 scheme of work is structured around a project where students discover the varied and exciting world that is la Francophonie. Using the vocabulary learnt in class to examining the geography, culture, traditional dress, culinary delights and song of different French speaking countries they are able to broaden their understanding of what it means to be French yet also begin to consider the implications of France’s colonial history.

Languages vector
Above: people vector created by freepik

Reforms to the GCSE since 2016 have meant that the study of literary texts has become an essential part of any MFL scheme of work. This presents so many opportunities for the transfer of skills between MFL and English. The sense of pride and achievement that students in Year 9 experience from being able to decode the future tense from an authentic French poem (Demain dès l’aube, Victor Hugo) is far greater than that any grammar exercise would give them. Year 11 close analysis of Maupassant’s la parure in their French lessons gave students a deeper understanding of French society in the 19th Century, themes occurring in other French works and the literary movements of the time, all of which enhanced their ability to study the same work for GCSE English. The key here is for the departments to work together on devising a programme of study that meets all their requirements rather than teaching the same topic twice in isolation.

Steam+ creates the space for interdisciplinary thought. It is an exciting opportunity for us and our students to collaborate more intensively to explore ideas that do not fit neatly into a lesson plan.  But it is also an opportunity to examine the skills that are required and developed by one subject that can support a student’s understanding, expression and ultimately progression in another. Attention to detail required for effective translation that is also needed when examining data in Science and Maths; performance techniques in Music and oral proficiency in MFL. Yes, at times we are confined by exam specifications, but by encouraging our students to make connections between subjects, they can take their learning beyond the syllabi and into the real world because that is the fun in learning and ultimately the point.

[1] Steam+ manifesto

George Cook, explores ideas from The Culture Code (Daniel Coyle) and Radical Candor (Kim Scott)

George Cook, Head of Hockey at WHS, explores ideas from The Culture Code (Daniel Coyle) and Radical Candor (Kim Scott). These books show that it is less about the questions we ask, and more about the environment we create that enables us to ask them. Culture is everything.

Questioning is a hot topic in the world of education. What type of questioning do you use? What type of questioning should you be using?

There is no doubt that questioning allows us, as the teacher, to identify areas of strength and weakness in our classes. It gives opportunity to really challenge the most gifted, stretching and pushing the limits of their understanding. It is a great tool because in the same breath we can use questioning to give great confidence to those who are unsure or perhaps, normally, quieter and more reserved in lessons.

However, according to the two books listed above, the type of question you use and who you ask it to, is irrelevant if the environment we create is not quite right.

The Culture Code examines many high performing groups ranging from high end military task forces and airline pilots, to successful start-up companies as well as big hitters like Google. On the face of it, none of these groups have much in common. Apart from the culture they have developed, built on honest two-way communication and trust.

It was found that regular small snippets of communication within these high functioning groups allowed them to not only know each other better, but made sure they stayed on track throughout the task at hand to complete it in the most accurate and efficient way possible. The opposite of this in a classroom situation would be to wait for over an hour into a lesson before catching a pupil off guard with a challenging question to answer in front of their peers. Small and frequent two-way communication is much more effective.

Radical Candor states that if we are to have open and honest communication in our groups and teams then we must instil two key elements first. Firstly, care personally about all those in your class, and show it! As teachers we do this more often than we might expect and can be as simple as asking a pupil how their weekend was etc. The second element is to challenge directly. Challenge the beliefs of pupils directly, but also actively encourage them to do the same to us as this is more likely to build trusting relationships where more in depth and honest discussions and conversations can be had.

If we can take these lessons and implement them into our classroom and practical teaching, then we are far more likely to have open and lively debate and discussion that includes all members of the group and not just those that feel confident in the subject area. This is why I think the culture we build around questioning is equally important as the type of questions we use.

Stretching !

Hi everyone! 

There’s only 2 more weeks to go till christmas holidays, and whilst for some of us that period will be dominated by revision for A-level and GCSE mocks, its very important that everyone gets a chance to relax. 

I find that one of the best ways for me to relax both my body and my mind is to do stretching. Especially when done in a slow and focused manner, an extended stretching routine can be an excellent relaxation method and stress reducer, helping to reduce tension in both your mind and body. 

I recommend doing a set of stretches in both the morning and the evening. Doing them in the morning will help you feel more awake and prepared for the day ahead of you, while doing them in the evening will help you wind down and de-stiffen your joints after a long day. 

Here are some of my favorite stretches: 

  1. The spinal twist: 

Lying on your back, raise one of your knees, and gently roll it over to the opposite side. Make sure both of your shoulders stay in contact with the bed at all times. If it feels comfortable, stretch one arm out to the side, keeping it in line with your shoulders, and slowly turn your head to face your outstretched arm. You should feel the stretch on the sides of your upper body and your lower back. Breathe deeply and repeat on the opposite side

2. Figure four stretch: 

<> on September 23, 2017 in Santa Monica, California.

Lie on your back with you feet flat on the floor. Cross your left food over your right quad, and then lift your right leg off the floor. Grab onto the back of your right leg and gently pull it towards your chest. When you feel a comfortable stretch, hold there. Hold for 30 seconds to 2 minutes. Switch sides and repeat. This should stretch your hips, gluteus, lower back, and hamstrings. 

3. Chest and shoulder stretch 

Sit or stand and clasp your hands together behind your back, arms straight. Lift your hands towards the ceiling, going only as high as is comfortable. You should feel a stretch in your shoulders and chest. Hold for 15 to 30 seconds, repeating one to three times. 

250 Jahre seit der Geburt Beethovens

This year marks 250 years since the birth of one of the world’s greatest composers, Ludwig van Beethoven, who remains one of the most admired composers in the history of Western music. He continues to inspire many people around the world today. Lucy (Year 10) has been researching him.

Beethoven wurde am 16. Dezember 1770 geboren. Er hatte zwei kleinere Brüder, die Caspar und Johann hießen. Als Beethoven fünf Jahre alt war, begann sein Vater ihm Musik zu spielen und zu unterrichten – seine Methoden waren aber sehr brutal. Jedesmal, als der junge Ludwig einen Fehler machte, hat ihn sein Vater geschlagen. Fast jeden Tag wurde er Stundenlang im Keller eingesperrt. Trotzdem war Beethoven ein außerordentlich talentierter junger Musiker.

Im Jahre 1787 (mit 17 Jahren alt) wurde Beethoven nach Wien geschickt, wo er hoffte bei Mozart studieren zu können. Sagte Mozart: “Eines Tages wird er der Welt etwas zum Reden geben.” Wir wissen natürlich wie das sich ausgespielt hat! Nach einigen Wochen in Wien hat er erfahren, daß seine Mutter krank war und er ist nach Bonn zurückgekehrt;  er hat sich einen Namen als meist versprechender junger Musiker der ganzen Stadt gemacht.

Nach dem Tod von Mozart im 1791, ist Beethoven nach Wien zurückgekehrt, um bei Joseph Haydn zu studieren. Neben ihm hat er Klavier studiert, und hat sich ausschliesslich zum Komponieren übergeben.  1795 gab er sein erstes öffentliches Konzert in Wien.

Beethovens Kampf gegen die Taubheit

Im April 1800 spielte er seine Symphonie 1 in C-Dur; später hasste er sie jedoch. Wie dem auch sei, die Melodie der Symphonie hat ihn zu einem der größten Komponisten Europas gemacht. Er hat für wohlhabende Gönner geschrieben und hat sich auch bei öffentlichen Konzerten seinen Lebensunterhalt verdient.  Insgesamt hat er neun Symphonien, 32 Klaviersonaten, eine Oper, Fidelio, fünf Klaviersonaten und viele Kammermusikwerke geschrieben, darunter einige bahnbrechende Streichquartette.  Sein Meisterwerk war die weltberühmte Fünfte Symphonie.  Im 1801 hat er ein grosses Schicksal erlebt; er ist taub geworden.  Es ist fast unglaublich, daß er trotz der Taubheit so begabt und erfolgreich als Musiker war. 

Beethoven hat sich nie verheiratet und ist mit sechsundfünfzig Jahren gestorben.  Er war oft einsam und war von seiner Taubheit gequält; immerhin war er einer der bedeutendsten – wenn nicht der bedeutendste – Komponisten der Welt.

La Francophonie de plus près

Did you know? French is the official language in 29 countries, which puts it in second place behind English. Half of all French native speakers live in Africa. Year 9 have been researching other countries where French is spoken as part of their exploration of the Francophonie. This year also marks the 50 year celebration of the foundation of the international organisation of francophone countries.

Le lac rose au Sénégal

Le Sénégal

Le Sénégal est un pays dans l’ouest de l’Afrique. Il y a des paysages vraiment jolis et magnifiques. La capitale de Sénégal est Dakar et à Dakar il y a beaucoup de personnes. Dakar est sur la côte ouest de Sénégal. L’animal national est un lion mais le lion est presque disparu. Au Sénégal, on peut visiter beaucoup de monuments célèbres et il y a tant d’activités à faire, tel qu’un safari ou visiter un parc national. Il y a un lac rose, qui est une chose incroyable et spéciale. Un monument bien connu est le monument de la renaissance africaine. Aussi, il y a une île faite de coquillages. Aussi, on peut manger dans beaucoup de restaurants et la nourriture est délicieuse. Au Sénégal, il fait très chaud tout au long de l’année. Dans le nord, il pleut en juillet, août et septembre mais dans le sud, il pleut en juin, juillet, août, septembre et octobre. 

Bruxelles

La Belgique

Bonjour, j’habite à Bruxelles qui est la capitale de la Belgique. J’adore Bruxelles parce qu’il y a beaucoup de choses à faire. On peut y visiter la Cathédrale de saint-Michel et Saint-Gudula, manger des gaufres délicieuses et du chocolat et il y a une grande place au centre-ville. Cependant, on ne peut pas faire des activités au bord de la mer parce que Bruxelles est au centre de la Belgique. A Bruxelles, il y a de belle architecture partout par exemple, Manneken Pis et la gare Centrale de Bruxelles. Il y a aussi beaucoup de musées dans la ville où on peut voir des objets historiques.   

Le Luxembourg

Le Luxembourg

La capitale de Luxembourg s’appelle Luxembourg-Ville aussi. Elle est située dans le centre du pays. Il y a beaucoup de collines est la ville est assez historique. J’habite au centre-ville, dans une petite maison. Je n’habite pas près de la mer parce que le Luxembourg est un pays enclavé. La météo au Luxembourg est affreuse, il n’y a pas beaucoup de soleil, comme en Espagne. Normalement, il fait un peu froid et il pleut. Il fait le plus chaud en juin, il fait 23 degrés. Mais en janvier il peut faire -2 degrés. La majorité de la pluie est en décembre, normalement il y a 83,3mm. Parfois, il y a aussi de la neige en décembre, mais, ce n’est pas normal. Mais, il y a plein de choses à faire, on peut visiter des attractions touristiques, comme le pont du Grand Duchesse Charlotte, qui est un grand pont rose. Aussi on peut visiter le Plateau Bourbon qui est magnifique. Pour les sports il y a tellement de choses à faire comme le cyclisme, le golf, le tennis, le criquet et la patinoire. Aussi il y a le Tour de Luxembourg qui a lieu après le Tour de France, le cycliste célèbre Andy Schleck participe au tour. 

Les Seychelles

Les Seychelles

Les Seychelles sont situées dans l’hémisphère sud et au nord-est du Madagascar. Aux Seychelles il y a cent quinze îles. Victoria est la capitale des Seychelles. C’est dans le nord-est de l’île de Mahé. Dans la République des Seychelles, normalement, il fait beau. Il y a un climat tropical. Les mois chauds sont de juin à mars, et, la saison des pluies est de novembre à mars. En hiver, il ne neige pas et il ne fait pas très froid.  Si on va aux Seychelles, on peut aller nager ou on peut se détendre sur la plage. Si on est fatigué, on peut aller à la pêche ou on peut louer un bateau ! C’est célèbre pour tant de plages magnifiques, et j’adore aller nager avec les tortues et faire des promenades et des guides touristiques ou faire du cheval. J’adore les Seychelles parce que c’est un beau pays. J’aime y faire de la natation car normalement, il fait chaud. La chaleur est insupportable ! Une personne célèbre qui est née aux Seychelles, c’est Diana. C. Zollicofer. Elle est actrice.  

Linguistica masterclass: La pandemia y las relaciones

Roma (Year 10) attended Señora Marchena’s Linguistica masterclass on social issues, where they talked about feminism, the pandemic, war, poverty, politics and relationships from the perspective of Spanish society. Inspired by the discussion, she explored issues we face around the world, such as the pandemic and relationships.

La Pandemia

Señorita Marchena dirigió esta sesión, y hablamos de la pandemia y sus efectos en nosotros y el mundo 

Miramos diferentes dibujos animados, primero miramos esta ilustración de Elisa Riera “el futuro es brillante” y discutimos nuestros pensamientos. La imagen representa, “cuando el futuro es más incierto, el de ella y todas las mujeres que como ella están inventando nuevas formas de contar lo que vivimos es, sin duda, “brillante”.” En la imagen hay dos personas y muestra el pánico y cuán conscientes hemos sido de estar juntos y el miedo con que todos podemos relacionarnos para contraer el virus.

Las Relaciones

Como con la pandemia, miramos imágenes de Elisa Riera. En esta imagen podemos ver a 2 personas en una relación donde la mujer está en la relación solo por estatus social y no por conexiones genuinas, esto lleva a una discusión sobre si las citas en línea o las citas en la vida son mejores. 

Hablamos sobre los problemas de las citas en línea a nivel mundial, que pueden ser muy desafiantes, al comunicarse a largo plazo. También hablamos sobre cómo la gente puede mentir sobre quiénes son en línea, lo cual da mucho miedo. Sin embargo, hablamos de que es muy efectivo y ahora muchas personas están en relaciones a través de este método.

Tagesablauf in der Coronazeit

Talia and Hannah (Year 9) tell us about their daily lives during the time of coronavirus. Their lives are still surprisingly normal!

Talias Tagesablauf

Ich stehe um 6 Uhr auf. Ich wasche mich und ich ziehe mich an. Um 7 Uhr frühstücke ich. Ich esse gern Frühstücksflocken oder Joghurt weil sie lecker sind. Ich will heiße Schokolade trinken aber ich darf nicht.

Ich gehe mit dem Bus oder zu Fuß zur Schule. Ich wohne nicht weit weg. In der Schule lerne ich Mathematik, Kunst, Biologie, Chemie, Physik, Musik, Französisch und mehr. Ich mag English weil es interessant ist. Mein Bruder steht um halb acht Uhr auf. Er hat Haferbrei zum Frühstück und geht mit dem Auto zur Schule. Er lernt nur Mathe, Englisch, Philosophie und Volkswirtschaftslehre weil er das Abitur macht. Meine Mutter steht früh auf. Sie arbeitet von zu Hause. Sie arbeitet im Fernsehbereich.

Ich komme um 4 Uhr nach Hause. Am Montag habe ich Theater, wir machen ‘The Merchant of Venice’. Es ist lustig. Ich habe Chor am Donnerstag und Ensemble am Mittwoch. Im Zweiwochenrhythmus habe ich schwimmen am Freitag. Ich will es mehr haben aber wir dürfen nicht wegen Covid-19. Am Wochenende mache ich Hausaufgaben. Mein Bruder rudert am Wochenende. Er rudert auch zwölfmal pro Woche. Ich mag schwimmen mehr als rudern aber ich bin nicht sportlich. Letztes Wochenende bin ich mit meinen Freunden in den Park gegangen. Das Wetter war schrecklich. Es regnete die ganze Zeit und es war sehr kalt. Ich bin schnell nach Hause gegangen und ich habe Brownies gemacht. Sie waren lecker!

Hannahs Tage…

Ich wache jeden Schulmorgen um 6.30 Uhr auf. Ich wasche mich, ziehe mich an, dann frühstücke ich. Ich möchte gebackene Bohnen und Orangensaft zum Frühstück haben. Ich finde das sehr lecker. Dann putze ich mir die Zähne, packe meine Tasche und verlasse das Haus um 7.50 Uhr. Ich gehe zum Bahnhof und nehme den Zug von Clapham nach Wimbledon. Ich komme um 8.20 Uhr in die Schule an und warte bis 8.40 Uhr auf die Versammlung. Der Unterricht beginnt um 9.00 Uhr. Die Pause ist um 10.25 Uhr, ich esse etwas Obst, weil das gesund ist,  und habe dann um 10.45 Uhr wieder Unterricht. Bis zum Mittagessen um 12.55 Uhr habe ich noch drei weitere Stunden. Ich esse mein Mittagessen in der Schule um 1.30 Uhr. Der Unterricht beginnt wieder um 2.15 Uhr. Um 4.00 Uhr fahre ich mit meinen Freunden mit dem Zug nach Hause und nehme den Bus vom Bahnhof zu mir nach Hause.

Auf meinem Weg zur Schule höre ich gerne Musik, sonst ist die Reise zu langweilig. Wenn ich nach Hause komme, ist es 4.20 oder 4.30 Uhr. Donnerstags habe ich Feldhockey in der Schule, wenn der Unterricht zu Ende ist, und danach Klubhockey. Mein Lieblingssport ist Hockey. Dienstags habe ich Astrophysik und Kosmologie-Klub auf einer Videokonferenz. Danach würde ich meine Hausaufgaben machen, mit meinen Freunden skypen, zu Abend essen und manchmal Videospiele spielen. An Wochentagen darf ich nicht fernsehen, so wie es auch sein soll.

Am Wochenende habe ich manchmal am Samstag Schulhockey, aber sonntags habe ich immer Klubhockey, was in der Regel ein Match ist. Ich wache spät oder früh auf, und zum Frühstück bekomme ich oft gebackene Bohnen oder Pfannkuchen mit Milch. Ich mache den Rest meiner Hausaufgaben und spiele dann Videospiele und sehe mit meiner Familie fern. Wenn meine Freunde frei sind, gehe ich mit ihnen und meinem Hund Tilly im Wimbledon Common spazieren oder gehe zu ihren Häusern. Normalerweise gehe ich nicht mit meinen Freunden einkaufen, aber mit meiner Mutter. 

Meine Mutter wacht jeden Tag etwas später auf als ich, gegen 7.00 Uhr. Sie putzt das Haus, macht das Abendessen und geht mit dem Hund spazieren, wenn mein Vater arbeitet. Spät in der Nacht hört sie sich südkoreanische Podcasts, Nachrichten und Statistiken an, weil sie als Übersetzerin arbeitet und aus Korea kommt. Mein Vater wacht auch um 7.00 Uhr auf und macht mir Frühstück. Er arbeitet den ganzen Tag in seinem Büro an Geschäftsgesprächen und Online-Meetings. Freitags bleibt er manchmal mit seinen Freunden im Pub in Wimbledon oder geht zu jemandem nach Hause zu einer Party. An den Wochenenden kocht er hauptsächlich, weil er mehr Zeit hat. Meine Eltern gehen an Arbeitstagen von 9.00 bis 22.00 Uhr zur gleichen Zeit ins Bett wie ich. An den Wochenenden geht meine Mutter gerne früh ins Bett, und mein Vater geht wie ich gerne spät ins Bett und schaut fern.

Thinking about our Bread and Butter

Suzy Pett, Director of Studies, explores best practice for assessment and feedback.

Whilst cognitive scientists are increasingly enhancing our understanding of how students learn, to all intents and purposes, learning is still invisible. Sometimes we glimpse signs of learning: those eureka moments when a piece of knowledge suddenly clicks into place. But, to see the learning itself is a chimera.

Because of this, assessment and feedback is our bread and butter as teachers. We assess continually in a variety of ways to work out what has and hasn’t been learnt. It allows us to explore a student’s schema (network of knowledge), to put right misconceptions, to encourage individuals and to adapt our own teaching accordingly. In this way, we can make a myriad of adjustments to the way we teach to enhance student progress. Plus, with the help of cognitive science, we’re getting better at knowing what does and does not work in terms of assessment and feedback.

But, the idea of ‘assessment’ can strike fear into students. And, do students fully take on board our feedback, anyway? During our staff study day at the end of last half term, a group of us discussed our ethos surrounding assessment and feedback. It was important to refine our collective understanding of both these fundamental areas of pedagogy. With linear A Levels and GCSEs, we need to shine a light on our assessment methods, making the most of spaced and interleaved practice. But, we spoke, too, of students’ misunderstanding of the purpose of assessment and feedback.

We boiled down our ideas to a powerful message, drawing from our own experiences and in light of reading articles by David Didau, Tom Sherrington, Hattie, Clarke and the Education Endowment Foundation.

We want students to realise that:

  1. Assessment doesn’t just measure learning, it helps learning and it happens all the time in the classroom.
  2. Feedback is not a judgement on their ability but a spring-board towards further personal and academic development. Everything students do is part of a wider personal and academic endeavor.
  3. Feedback is an opportunity for reflection on, and ownership of, their learning.

Let’s dig a little deeper into these three ideas.


Assessment doesn’t just measure learning, it helps learning and it happens all the time in the classroom:

Assessment and testing turbo boost learning: They don’t just measure it, they propel it! The process of recalling knowledge strengthens long term memory; the process of collating ideas and organising them on the page helps consolidate schema. We want students to know this!

Lightness of touch, good humour and warmth: Frequent low stakes testing or quizzing (especially if spaced and/or interleaved) is fundamental in encoding ideas in the long term memory. And, it is an opportunity to quickly put right any misperceptions forming in the student’s mind. Regular testing, should, therefore not feel like a burden, but should be an opportunity to learn.   As teachers, we need to help set the tone for this. With a lightness of touch, good humour and warmth, these low stakes tests can propel more rapid learning and can build student confidence. Our attitude must reflect this spirit.

Toggle between knowledge: We need to be aware, too, of the illusion of understanding. Pupils can perform well in a low stakes quiz, especially if the quiz reflects a unit of blocked learning. However, students might not necessarily be able to transfer the learning to another context, or be able to recall it in an exam which requires them to toggle between different sorts of knowledge (such as in the linear GCSE and A Levels).  A longer, more formal, interleaved assessment or test is still important to gauge how students can pull together ideas from across their different schema. However, a refrain we often hear from students is “Is this an assessed piece of work?”, with rising levels of panic creeping into the voice. So, again, teachers need to position this sort of testing accordingly – as a chance for students to learn, rather than the teacher to judge.

Assessment happens continually, anyway: students need to realise this. As teachers, we’re not judging a one-off performance. Assessment is an ongoing process to help individuals make progress:

  • It’s the checking of prior knowledge at the start of the lesson (helping students orientate new understanding within their existing schema)
  • It’s the Q&A during lessons
  • It’s the one-to-one discussions whilst the teacher is circulating when the class are working
  • It’s the quick quiz during class time
  • It’s the careful observation of student talk/work during activities
  • It’s the mini plenary to judge how well new ideas have been assimilated
  • It’s the exit card for teachers to work out how each individual has grasped the learning.
  • NB: the verbal feedback in lessons and the one-to-one discussions are arguably the most powerful forms of feedback, more so than the written feedback on written work. Students should not underestimate this sort of feedback.


Feedback is not a judgement on student ability but a spring-board towards further personal and academic development. Everything they do is part of a wider personal/academic endeavor.

Low threat to self-esteem: One of the most striking discussions we had during staff study day was around the profound impact of feedback to bolster or demoralise students. An entire page of feedback on an essay may be well intentioned, but it can in fact deflate a student. Feedback is received best when there is a low rather than high threat to self-esteem, and we should be mindful of this. Instead, choosing to focus feedback on one particular skill, or on one particular element of the essay/test can be more impactful for the student, who can use it as a springboard for development.

Get off the hamster wheel! Learning is more that digesting ‘testable chunks’: Fortunately, WHS already has grit and resilience at the heart of the learning experience: growth mind set is firmly established amongst staff and students. However, we still need to beware to avoid assessment and feedback making students feel like they are on a hamster wheel. Instead of narrowing horizons to the next test or the next piece of feedback, it’s important for students to realise why this learning is important, beyond the looming GCSE and A Level. In giving feedback and when quizzing/assessing, we need to be sure that we keep our eyes on the whole and share this with students. Giving reminders of the wider canvas of the learning are key i.e. why is this knowledge/skill/technique important to our subject. Let’s even think beyond our subject divides and tap into our school’s STEAM ethos. We must keep at the forefront that what we are doing is unlocking the expansive, fascinating potential of our subject, not simply breaking it down into testable chunks. Feedback should remind students of this; it’s a chance to nurture their love of the subject.

Ditch the satnav: In contrast, David Didau has coined the term ‘satnav marking’, to indicate the sort of reductive mark that simply tells students the next steps. Whilst arguably useful in the immediate term, it makes a subject operate in a ‘paint by numbers’ capacity. We should avoid this sort of marking, instead encouraging students to think in nuanced ways about their work and their subject and their passions.


Feedback is an opportunity for reflection on, and ownership of, student learning.

If feedback is seen and not heard, it is pointless: Fundamental to feedback is students’ reflection on it. During out staff study day, we spoke about our sense that pupils often felt like they were doing the assessment/homework/test for us as teachers, rather than for themselves. By placing metacognition at the heart of the feedback process, we can shift this student misperception so that students take ownership of assessment and feedback as a personal learning process. Teachers need to carve out time and prioritise students taking on board the comments. Strategies were discussed, such as ‘DIRT’ time; students rewriting sections of their work; students responding to questions posed in the marking; students pre-reflecting on their work to allow teachers to respond to this in feedback; student tracking their marks/feedback using OneNote.

Give feedback on ‘best’ work: An idea that struck a chord was that students need to take ownership of their learning by the effort they invest in their work. There is little point in giving feedback on work students know isn’t their best…the feedback will just confirm what they already know. We need to give feedback on students’ ‘best’ work: i.e. work which is a result of high effort, in which students are invested and which shows ‘liminal learning’ (work which is pushing at the bounds of their capabilities). If this is the criterion for marking work, then students will want to see the feedback.

Self/peer assessment is not because we’re lazy! We also discussed the use of peer and self-assessment in allowing students to take ownership of their work. Whilst students often do not like this method of assessment, preferring the safety net of the teacher marking their work, we know that it develops metacognition.  This is not a technique for lazy teachers not wanting to mark (as we suspect some students think!) but it is a vital tool for student self-reflection.

It’s about a whole school culture. Most important of all is for this mind set of ownership and self-reflection to be reinforced regularly across the school: it’s about a culture which comes from teachers, tutors, form times, PSHE peer counsellors, subject leaders.

 

Does receiving aid automatically result in dependency?

Humanitarian Aid

Alice in Year 13 explores some of the possible links between aid and dependency, looking at the central issues relating to the giving of aid.

Humanitarian aid, water
Above: Humanitarian Aid, Pixabay

Aid is the money, food or other resources that are given or lent by one country to another, for the purpose of helping those in poverty or those who have been affected by disasters and need relief. However, it is often argued that this can result in welfare dependency which occurs when a person or household is reliant on the aid they have received or are receiving; potentially leading to the prevention of government accountability and development. This is because a household is theoretically less likely to become independent through actively seeking out work, education, or training if they have the support of organisations or the government to fall back on. The usefulness of aid varies for different events, often longer-term and materialistic or monetary assistance are thought to provoke higher levels of welfare dependency than shorter-term or more sustainable support.

Firstly, it is important to establish the definition of dependence and what would qualify a household to be in a state of dependency. Although this could be measured through the percentage of income that is derived from aid, other factors influence reliance as well, such as the extremity of the situation as only a small proportion could be needed to help a family in a crisis yet this assistance may be necessary for relief. On the other hand, aid could make up a large amount of a household’s income yet they may not necessarily be dependent as job availability and eligibility are also a significant factor in calculating a household’s dependence. However, Sharp et al. (2003) classifies destitution as ‘a state of extreme poverty that results from pursuit of ‘unsustainable livelihoods’, (…) they lack access to the key productive assets needed to escape from poverty, and they become dependent on public and/or private transfers’. This depicts dependency as a defining character of destitution, implying that because those who receive humanitarian action are often in an extreme state of poverty, they have to be dependent on it in order to receive it and therefore aid has to foster welfare dependency.

In addition to this, although dependency on aid may be seen as a defining feature for destitution despite subjective stances on whether recipients are dependent, the degree to which aid can be relied on is a completely different factor. Despite dependency being necessary to receive aid, realistically aid may not be the most useful way of supporting those in poverty or a crisis and therefore in actuality, beneficiaries are unable to rely on it. This varies depending on the organisation giving help and their transparency with the receivers as well as the regularity of its occurrence. For example, Harvey and Lind use a case study in South Sudan, where ‘relief deliveries have in general been too unreliable and inadequate for dependency, except in limited periods of acute emergency’, showing that the only time aid could be guaranteed was when the situation was extreme. In other times, the citizens would most likely have to rely on other sources of support as relief aid would be too irregular to be depended on.

Above: Child, PIxabay

As well as this, in a 2001 study of the drought in Eastern Africa by Erin Lentz and Christopher Barret, there was ‘no qualitative or quantitative evidence that the meagre amounts of food aid they received had an appreciable effect on their capacity to become self-reliant’. This, again, shows how organisations can lack transparency with their recipients as well as a possible lack of domestic knowledge of the country and investment due to concerns of public image over the well-being of the citizens in need. These cases are examples of when aid cannot physically be relied on either because of the little amount or low quality of the support or because of the short-term effect it had and varying circumstances that also play a part in the usefulness of aid.

In contrast to this, many studies where humanitarian assistance has been given to those in poor conditions or a crisis show that aid has helped to relieve victims of poverty and disasters and therefore were and can be relied on. According to Jeffery Sachs in The Guardian, ‘a growing flood of data shows that death rates in many poor countries are falling sharply, and that aid supported programmes for healthcare delivery have played a key role’. A study by Gabriel Demombynes and Sophia Trommlerova shows that Kenya’s infant mortality rate has decreases due to the up-take of anti-malaria bed nets that had been donated. As well as this, ‘malaria deaths in children in Africa were cut from a peak of around 1 million in 2004 to around 700,000 in 2010’. These statistics would suggest that healthcare ais is necessary for the survival of those at risk to diseases and therefore are depended on by many people.

Above: Person holding money, Pixabay

However, the allocation of aid is also important to factor in when considering how dependable households are on foreign aid. For example, in Afghanistan the ability for aid agencies to communicate with women was restricted during the Taliban period due to the patriarchal society, reducing their reliability on it. Other factors that determine whether groups can rely on foreign aid also include local power dynamics and hierarchies, for people to be able to depend on aid it is important that those distributing it are not corrupt, or have a bias over certain households. In Ethiopia, the distribution of aid was decided by local-level authorities who often allocated support equally throughout the community, lessening its effectiveness on those who may have needed it more than others. This is shown in Dawunta Delant, a region in Ethiopia, where some recipients claim that poorer households may not have received as much assistance as others due to their disconnection with local leaders, ‘aid is provided to wealthy people. We poor receive a small ration. The aid comes in the name of the poor of our community but the poor do not receive the aid’, depicting how those who need aid cannot rely on it since only a small portion is given.

Food aid is also often seen to cause a high level of reliance from the beneficiaries. Again, this is because the provision of food can sometimes act as a replacement for locally sourced food, leaving local businesses with less revenue and customers as well as a disincentive for farmers to work if food will be provided for them. In Ethiopia, food insecurity is a persistent problem due to the unreliable rainfall patterns and low irrigation levels, leaving a large proportion of Ethiopians (an estimated 4.6 million) relying on food aid. Aschale Dagnachew Siyoum has associated this with the ‘dependency syndrome’, and the idea of ‘aspiration failure’ where there is ‘the lack of systematic pro-active effort to better one’s future’. The head of the District Agricultural Office explains that ‘due to availability of food aid for many years, farmers have developed a dependency syndrome and have become reluctant to improve their lives. As a consequence, they are not willing to use their potential to improve their livelihood by themselves.’ However, interviews with the recipients of food aid also shows that the assistance was not enough to be able to depend on, showing the lack of reliability. One household claimed that ‘the amount of food aid that we have been receiving was not enough to cover our food gaps and we always have to supplement our income from other sources’, furthermore, 65% of the households that were surveyed depended upon ‘the sale of productive assets like livestock and credit to cover consumption gaps in times of need’. This suggests that rather than having a ‘dependency syndrome’, where farmers and families are reluctant to work, they use the aid to complement other activities as it is not enough to depend on alone.

As a result, for the majority of cases aid does not cause the recipient to become dependent due to its unreliability and the insufficiency of the amount given. Although in some circumstances aid can be relied on which would arguably make the beneficiaries dependent, many would suggest that rather than becoming reliant on this aid, receivers are instead only using this aid to complement other activities in order to become self-sufficient in the future.

Aspects stylistiques de La Haine

Following the study of the French film La Haine, Alex (Year 13) explored the the director’s use of style in the DJ scene.

Sorti en 1995, « La Haine » expose les luttes et les réalités de la vie dans la cité, à travers les yeux des trois personnages principaux : Saïd, Vinz et Hubert. Kassovitz utilise la scène du DJ pour mettre en évidence les thèmes flagrants de l’exclusion sociale et de la pauvreté en utilisant le noir et blanc, la bande sonore et les angles de caméra expérimentaux.

Tout au long du film, l’utilisation du noir et blanc attire l’attention sur l’environnement misérable que l’on voit dans la banlieue, et intensifie les événements horribles qui s’y déroulent. Le manque de couleurs vives conserve également la valeur du réalisme en raison de son lien avec des genres connotés comme réalistes tels que les images d’archives et le cinéma vérité, d’autant plus que le film a un angle social clair. De cette manière, l’utilisation du noir et blanc par Kassovitz crée un environnement sans concession où les problèmes intemporels du racisme, de l’exclusion et de la pauvreté sont exposés.

En outre, « La Haine » évite la tendance contemporaine à une musique omniprésente sur la bande originale, évitant l’utilisation classique de la musique de film comme une amélioration émotionnelle. Au contraire, Kassovitz exploite la musique pour dépeindre la colère, l’isolement et la frustration ressentis par les banlieusards, et pour représenter l’atmosphère réaliste de leur communauté. Par exemple, nous entendons « Sound of da police » de KRS One et « Nique la police » de NTM qui expriment clairement les sentiments négatifs que les banlieusards ont envers les « flics ». De plus, le DJ incorpore la célèbre chanson d’Edith Piaf « Je ne regrette rien », peut-être pour se moquer de la culture française traditionnelle dont ils sont isolés.

Pour tourner cette scène, Kassovitz utilise les angles de caméra d’un avion volant à basse altitude. Cette prise de vue inhabituelle donne un effet étrange et onirique, donnant l’impression que le spectateur flotte de façon instable au-dessus de la cité. Le choix de style ici offre une vue esthétique, mais « documentaire » de la région. En utilisant cette technique cinématographique, le spectateur peut comprendre l’énorme échelle de la zone qui comprend de hauts bâtiments en béton, un manque d’espace et la quasi-inexistence de la nature. On peut faire la comparaison entre l’illustration de la banlieue et un labyrinthe, qui met en évidence le caractère incontournable de la vie là-bas, et soutient la spirale de déclin que l’on voit à travers l’intrigue du film. C’est le côté écrasant de la cité qui saute aux yeux.

Kassovitz utilise un style cinématographique pour améliorer l’intrigue de cette scène et du film plus large. Il le fait avec succès en utilisant une gamme de techniques pour dépeindre sa perception de la vie dans la cité au public.