Friday Gem #29 – Revision Planning using Confidence Rating

Spring Focus: Metacognition – students selecting and organising the whole class revision plan

Teaching and learning Gem #29: Planning the Revision Process/Logging Progress

 

In this gem, I will be taking you through the way in which we use the girls’ own confidence ratings to plan the revision and teaching schedule in Computer Science, as well as promoting the idea of tackling your weakest topics first.

 

This Friday Gem was, in part, gifted to me several years ago on a course. The Chief Examiner for Computer Science at the time (pre-Govian A-levels) claimed that it should be possible for a student to fully revise for the A-Level in a single hour, as long as the students prioritised their revision effectively. Although I never did subscribe to that timeframe, I noted that students often simply start at the beginning of the specification and waded their way through to the end, rather than targeting the trickiest topics before fatigue sets in!

  1. First Review

After the Computer Science exam classes have finished the specification (this is usually just after Autumn Half Term), they have a single lesson where they are asked to give their gut reaction to the topics on the syllabus, in order to inform our planning of revision topics going forward.

They are provided with a grid, containing all of the spec points from the syllabus and a booklet full of revision questions which they can use as a stimulus for discussion. Working collaboratively, they discuss the specification points, look at the questions and rate their confidence on each topic (a score out of 5) by completing their column in the table:

Why it’s useful…

Taking these numerical snapshots of the students’ confidence lets the students:

  • Understand their areas of strengths and weakness
  • Discuss the topics and practice exam questions with their peers, to further their understanding
  • Feel more confident about the approaching assessment, as they look at more examination style questions and understand the types of questions and skills required
  • Find reassurance when all of their peers rate a topic with a low score

It also allows us to put the scores in a spreadsheet:

  • We can calculate an average student understanding for each topic
  • Sorting the syllabus from lowest to highest average, we plan our revision lessons to tackle those topics which the students are most concerned about first

 

  • We can also take an average per student and use this to identify anyone who needs a pep talk or who may need extra support:

Towards the End of Revision
The class comes back to the table again and we repeat the process again. Students are able to see their progress, having hopefully driven all of their confidence scores higher, which should help to prove to them that their hard work has paid off.

Friday Gem #13 – emoji vocab retrieval practice

Teaching and Learning Gem #13 – emoji vocab retrieval practice

The final Friday Gem of the year comes from the Classics Department and is a great one for linguists. Mark Wilmore did a digital learning walk and shared with me a fun and fast-paced vocab retrieval game from Dan Addis. Whilst waiting for students to join the live lesson (not wanting to waste any moment for learning), Dan posted a Latin word in the conversation space. Students had to post an emoji/picture that represented it.

Here is ‘fugit’ (he/she flees) and ‘templum’ (temple):

Here is ‘timet’ (he/she is afraid):

Friday Gem #7 – STEAM-y Starter

This idea comes from Mari Nicholas’ Year 12 Chemistry lesson. She put an array of pictures on the board, and asked pupils to make connections between them. What I loved was how she introduced the task. She said: “The more esoteric, the more distant the link, the better. Don’t limit yourself to Chemistry.”

Here’s her slide…what links can you make? What pictures could you put up as a starter? They could be pictures representing ideas within a topic, or across different topics, encouraging students to ‘join’ up their learning and expand their thinking beyond the boundaries of the lesson they are in.

This is effective because:

  • It is a great way to introduce a topic by encouraging pupil curiosity.
  • It could be a fantastic revision task, strengthening students’ schemas, organising interrelated concepts in an efficient and powerful way that can be recalled from the long term memory.
  • The task allows for natural differentiation, with students choosing to make more complex or simpler connections.
  • It encourages a STEAM mind-set, with students exploring how broad and seemingly different ideas are interrelated.
  • It’s also a quick and easy task for the teacher to prepare.

 

What are the links between romance languages and music?

Matilda, Year 13, investigates the links between romance languages and music to discover whether the learning of one can help in the understanding of the other.

Music and language

It is often said that music is the ‘universal language of mankind’, due to its great expressive powers which have the ability to convey sentiments and emotions.

But what are the connections between music and languages?

A romance language is a language derived from Latin and this group of languages has many similarities in both grammar and vocabulary. The 5 most widely spoken romance languages are Spanish (with 470 million speakers), Portuguese, French, Italian and Romanian.

There are 3 main connections between languages and music:

 

The first of these is the role of melody in recall:

There is a link between languages and music in remembering words. This is shown in a study where words were better recalled when learned as a song rather than a speech. This is because melody and rhythm give the memory cues to help recall information.[1]

Language, music, and emotion:

The British anthropologist and evolutionary psychologist who specialises in primate behaviour, Robin Dunbar, says that music and language help to knit people together in social groups. This is because musicians process music as a language in their heads. Studies have shown the planum temporal in the brain is active in all people whilst listening to music.

However, in non-musicians, the right-hand side was the most active, meanwhile, in musicians, the left side dominated, this is the side believed to control language processing. This shows that musicians understand music as a language in their brain.

In another study, scientists analysed the Broca’s area, which is crucial in language and music comprehension. It is also responsible for our ability to use syntax. Research has shown the in the Broca’s area of the brain, musicians have a greater volume of grey matter, suggesting that it is responsible for both speech and music comprehension.

The relationship between music and languages:

Brain and Languages Both music and languages share the same building blocks as they are compositional. By this, I mean that they are both made of small parts that are meaningless alone but when combined can create something larger and meaningful.

For example, the words ‘I’, ‘love’ and ‘you,’ do not mean much individually, however, when they are constructed in a sentence, carry a deep sentimental value. This goes the same for music notes, which when combined can create a beautiful, purposeful meaning.

Musical training has been shown to improve language skills.[2] In a study carried out in 2011, developmental psychologists in Germany conducted a study to examine the relationship between development of music and language skills. In the experiment, they separated children aged 4 into 2 groups, 1 of these groups receiving musical training, and one did not.

Later on, they measured their phonological ability (the ability to use and manipulate language) and they discovered the children who had received music lessons were better at this. Therefore, this shows that learning and understanding language can go hand in hand with musical learning and ability.

References: 

[1] See https://www.theguardian.com/teacher-network/2018/mar/14/sound-how-listening-music-hinders-learning-lessons-research
[2] See https://www.psychologytoday.com/intl/blog/the-athletes-way/201806/how-does-musical-training-improve-language-skills

Where academic and pastoral meet: why we should value what we remember and will remember what we value.

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Fionnuala Kennedy, Deputy Head (Pastoral), looks at research in to memory and how this can be used to aid revision for examinations.

As with most of my thoughts about education, this one was provoked by a conversation over supper and a glass of wine with someone not involved in the educational field. Unlike most of my thoughts about education, it is based on the work of a Dutch psychologist and Chess Master born in 1914, whose initial thesis, “Het denken van den schaker”, was published in 1946 (the English translation, “Thought and Choice in Chess”, appeared in 1965).
During the 40s, 50s and 60s, Adriaan de Groot conducted a series of cognitive chess experiments which ultimately formed the basis for ‘chunking’ theory and allowed for the development of chess computers. Testing all levels of chess player, from rank beginners through to Grand Masters, de Groot’s goal was to explain how the very best chess players could visually absorb a full chess board, assess the positions of pieces, process the different numbers of moves they could make next and rank them in order of preference, and all within seconds. This process was divided into four key phases, occurring rapidly in sequence:

  1. The orientation phase – assessing the position and coming up with general ideas of what to do
  2. The exploration phase – analysing concrete variations
  3. The investigation phase – deciding on the best move
  4. The proof phase –confirming the validity of the choice reached in phase three.

This in itself is an incredibly useful model of thought and study, particularly for the examination student under pressure of time. It is, however, not this which really piqued my interest in de Groot’s study, but rather the next phases of his thinking which have since been built upon by psychologists in the US.

Having determined the role of visual perception and thought processes of Grand Masters that lead to their success, de Groot went on to consider how they would memorise and what it was about that method of memory which made them so particularly successful. And the findings were – and are – fascinating.

In de Groot’s most famous demonstration, he showed several players images of chess positions for a few seconds and asked the players to reconstruct the positions from memory.  The experts – as we might predict – made relatively few mistakes even though they had seen the position only briefly.  So far, so impressive. But, years later, Chase and Simon replicated de Groot’s finding with another expert (a master-level player) as well as an amateur and a novice.  They also added a critical control: the players viewed both real chess positions and scrambled chess positions (that included pieces not only in random positions, but also in implausible and even impossible locations). The expert excelled with the real positions – again, as might have been predicted – but performed no better than the amateur and even the novice for the scrambled positions. In essence, then, the expert advantage seems only to come from familiarity with actual chess positions, something that allows more efficient encoding or retrieval of the positions. The grand master’s memory, the test suggests, will only have absorbed the positions on the board which matter to them, which have meaning and purpose; it is not that their memories are simply ‘better’, or better-trained, but that they have become more efficient in storing meaningful patterns. Without that meaning, the expert and the novice will both struggle equally.

And this amazed me, and got me thinking. As educators, we know that theories about the ways in which we think and remember come and go, that pupils may learn in different ways, at different ages, in varying degrees of success and failure, and thus we shouldn’t jump on too many bandwagons pedagogically. I know for example that I am almost certainly more reliant on audio and visual modes of learning than kinesthetic, but then I suspect that’s because the latter didn’t really exist when I was at school; and I also tend to believe that I remember letters and words better than numbers, but this I now recognise to be because I grew up with parents who listened to music and read literature. It is not that our brains can or cannot remember aspects of learning; it is not necessarily that we have different ways of thinking and remembering and learning, or indeed brains which ‘absorb’ certain information better or worse than others. Rather:

We will remember that to which we ascribe value; we will memorise where there is pattern and meaning.

Which only goes to add more grist to the mill to Mrs Lunnon’s message delivered in our opening assembly this term: ‘What I do is me: for that I came’ (Manley-Hopkins). If we approach learning as a task which must be achieved simply to obtain an end-goal, we simply will not learn as well. Rather, if each task is ascribed a meaning and value for and within itself, it will become much easier to remember and store away. Thinking ‘I want to get 10/10 in my Spanish vocab test because I want to be top of the class’ will only make your task more difficult. Looking at each word you are learning and putting it into a context where you might use it one day, or including it in a joke in Spanish, or making a connection between the words, will save you time and maximise the chances of your brain storing that information away for you for longer.

What’s more – and this is where the pastoral side really kicks in – such an approach takes away the slog and grind of learning. Instead, meaning will surround us and be ascribed in all we do. And, of course, more excitingly than that: if we are on the look-out for meaning, it will help us to find the area which feels the most meaningful for us, in which we can readily spot and identify patterns of meaning and which fills us with joy and satisfaction. And it is this, and not simply a desire to do well or know more, which will lead to true mastery as we negotiate the chess board of our own learning and lives.

Follow @DHPastoralWHS and @Head_WHS on Twitter.

Mindful revision: how to make the best of the revision period

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As mock exams start, Suzanne East, our Mindfulness Lead, looks at how we can manage the pressures of examination revision to achieve our best and stay healthy.

As the Christmas holidays approached and the festivities were beginning to get into full swing, I wished my Y11 tutor group Merry Christmas and asked how they were planning on spending the holiday period; “revision”, they groaned in reply. In their eyes was written the despair at the prospect of sitting alone in garret-like bedrooms struggling with never-ending lists of dates whilst the sounds of forbidden parties drifted up to torment them.

Faced with this, I sought ways to encourage them, and found that mindful practise offered some practical suggestions. So here are my top five tips on how to survive revision, especially revision during the holiday period, in a most mindful way!

  1. Acceptance

At the end of the day, it is what it is and you will not feel any happier by constantly thinking of other things you could be doing. Being constantly updated on the fun that others are having will not help, so put the device away and get on with it!

  1. Focus

Mindful practice encourages you to bring the focus of your attention back to a chosen point, perhaps the breath. We all get distracted but we can improve our attention with regular practice – a vital skill in completing any task! Remember to be kind (you will not be able to focus all the time) but notice the drifting away of attention and gently bring it back to the job in hand.

  1. Self-awareness

Away from the routines of school this is a time when students may be alone for long periods and need to take responsibility for their own care. Mindful practice encourages paying attention to yourself, how are you feeling physically, mentally and emotionally. By getting to know yourself you can make sure you stop and eat when hungry, get some exercise when sluggish and meet up with friends when feeling lonely.

  1. Savouring the good

It is easy to let revision seep into all aspects of the day. Even when not actually doing revision it can hijack your thoughts; regretting not doing more or dreading going back.  Mindfulness practice teaches how to be fully in the moment, so if you are doing some revision, pay attention and do it, but equally when you are having a break really have a break. Immerse yourself in a long soak in the bath, enjoy chatting with your friends when you meet up for coffee, savour that chocolate and get out and be in the world that is buzzing away with life all around you.

  1. Kindness

Remember mocks are a practice run. Things will not always go to plan, and this is almost certainly true of revision plans. Mindful practice encourages students to explore areas of difficulty and to accept that life can make you feel sad, angry and frustrated. No one likes to feel like this, but these are feelings we cannot escape from. Get to know them and learn how you can move forward, being as kind and supportive to yourself as you would to a good friend.

Of course, none of the above come easily.  Regular practice is essential in building mindful habits, but the rewards can be quite life changing, especially when the going gets tough.

Follow @DHPastoralWHS for regular Pastoral updates at Wimbledon High.