Dead Actors in Film

What do the Last Jedi, Fast and Furious 7 and a Galaxy chocolate commercial all have in common? They all star dead actors. In the Last Jedi, CGI was used to alter footage of Carrie Fisher, to give Princess Leia a second life on screen. In Fast and Furious 7 Paul Walker, recently deceased, was deep faked into scenes to allow the character one final send off. And in 2014, a Galaxy Chocolate commercial had a twenty second shot of Audrey Hepburn to promote their produce, even though the actress has been dead for twenty years. Although in these scenes the ‘ghost actors’ have minimal roles, they are paving the way for something more; as ‘deep-fake’ technology increases, could it be possible for dead actors not just to appear, but also to star in films?

Dead Actors in Film

Want to watch F1? – here’s everything you need to get started

A Formula 1 season consists of a series of races, known as Grands Prix, which take place worldwide on both purpose-built circuits and street circuits (closed public roads). Formula 1 has a competition structure that involves 10 teams, with two drivers per team. A points system is used to determine two annual World Championships: one for a driver, the other for a constructor (constructors in F1 are the companies, entities or manufacturers that are responsible for developing and constructing the cars used for racing – for example, Ferrari).

Want to watch F1? – here’s everything you need to get started

Consumer Culture: Why do we buy so much?

Our generation can easily be described as experienced consumers; social media, clothes, food, events, news, music – you name it, we’ve bought it. But why is this such a widespread phenomenon among the young population of the developed world, especially considering the ever-growing anti-capitalist and environmental activism, both of which stand against this very notion? In my opinion, it’s all down to our trend-oriented culture.

Consumer Culture: Why do we buy so much?

The Designer Baby

When a pregnant parent is asked about the identity of their unborn child, they will often say that it does not matter except that the baby is healthy. Unsaid for fear of taboo, the covert preferences and biases of a parent may cause disappointment when brought into fruition. The infant may be the ‘wrong’ sex, ‘wrong’ ability, ‘wrong’ appearance; there is no guarantee that even the primary request (for a healthy child) is fulfilled. Until recently, a distraught parent could do little but abort the pregnancy or live with their imperfection. Now, there is potential for every child to be ‘perfect’ – a ‘designer baby’.

The Designer Baby